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I have key tunes when I’m writing.

For Stateless, the sequel to Grendel, it was We Don’t Die by Tricky. For Dealer No. 1, when I wanted to write about Emily Dunbar, Mickey Hall’s love interest, I listened to In the Waiting Line by Zero 7.

When I wrote Jago the music I listened to to get into the relationship between Dakota and Jester was Loud Places by Jamie XX (with Romy). And now, for Coyote, the sequel to Jago, the music that describes that relationship is Throw it All Away, by Zero 7 again.

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